Organisers have hailed the successful first Lolla Paris as « a local initiative, produced by a French company » in response to criticism from Jack Lang.

Malgré une conjoncture économique délicate et un risque élevé d’attentat, les plus grands festivals de musique parviennent à stabiliser leur fréquentation en remodelant leur programmation, contrairement à ceux de moindre envergure.

Le marché numérique continue sa progression et devient la 1ère source de revenus de la musique enregistrée en réalisant 55 % du chiffre d’affaires global

WBM était partenaire de cette première édition du MIL à Lisbonne.

MIL is a festival and an international music convention whose mission is to promote and spread the contemporary pop music from Portuguese-speaking countries. Having Lisbon as its host, MIL is an incentive for the dialogue between the music industry from Portuguese-speaking countries and the international sector.

On vous tient au courant pour la seconde édition en 2018….

http://www.millisboa.com/

But how the new show connects won’t just be measured in overnights. Its success rate will also be seen in viral YouTube views and follow-up Spotify streams, in magazine articles and tweets about the artists who make landmark appearances or fall flat on their faces.

So the biz should do everything in its power to deliver the talent the new show needs to make it a regular fixture, rather than a six-week dalliance

Universités et culture
ULG TV et UMons TV sont des outils de communication du monde académique, Air TV Music et TV Wallonie produisent des contenus de développement culturel,

UTA agent Sean Goulding reflects on the evolution of the touring and tour marketing models, and how artists are using the power of the Internet creatively and financially