Ces dernières années, l’industrie musicale et celle des séries passent de plus en plus d’alliances.
Mois: septembre 2018
Sync licensing is an important driver, both creatively and financially, for artists, composers and producers. At a basic level, granting a sync and master license means to allow a third party to use the copyright and sound recording of a musical work in timed relation with visual media (ie. TV, Film, Ads, Trailers, Video Games, etc..). In my experience, sync is an art form that can add a dynamic layer to an artist’s story while also providing a significant revenue stream.
La musique électronique file de (très) beaux jours. Lors du premier jour de la Paris Electronic Week, les équipes de Shotgun et Technopol présentaient leur étude-bilan du marché des musiques électroniques sur les trois dernières années. L’état des lieux dresse une explosion et une diversification de l’offre événementielle, face à un public de plus en plus diversifié et exigeant. Compte-rendu.
While 2018 has been a very successful year for the European festival industry as a whole, some promoters fear that the immense competition could hurt ticket sales in the long run. When questioned about what had affected ticket sales in a negative way, 58 percent of those that volunteered an answer mentioned competition. This marks a shift from last year’s survey, when a lack of headliners was mostly cited as having affected sales. The lack of names to lead the bill, which is partly tied to increased competition, remains the number-two reason for declining sales, followed by severe weather.
Highlighting the importance of mobility in the cultural and creative sectors, KEA’s new report comes timely to provide recommendations guiding the implementation of a European mobility framework which should entail both a dedicated mobility scheme and an improved regulatory environment.
Prendre connaissance de changements importants pour les artistes étrangers se rendant aux U.S.A. Un exempke :
Thirdly, the IRS, as of October 1, 2018, has decreed that individual performers must earn a minimum of USD$10,000 in gross income during the calendar year to even be allowed to apply for a CWA (Central Withholding Agreement). This means that all members of a performing group must meet this minimum as well. Any individual who does not qualify for a CWA under the new rule will be subject to the statutory 30% withholding on foreign artist fees in the United States.
The European Composer and Songwriter Alliance (ECSA) is pleased to launch a call for works to be considered for its eleventh European Contemporary Composers Orchestra (ECCO) Concert which will be performed during the ECSA General Assembly in Brussels.
Deadline : 5 november